One thing that is
interesting me at the moment is the way writers play with structure in short
stories.
Many writers go for the
traditional idea of a beginning, middle and an end told in simple narrative
form but a significant number opt for flashback.
Both are effective
although flashback does carry the gamble with it that you know what happens at
the end of the story. Nevertheless, flashback can work very well. Just look at
the Colombo television detective show to see how knowing the end does not ruin
the enjoyment of the rest of the story.
A number opt for diary
entries, taking the story day by day. I think this is a terrific way to do it
because it gives your story a natural structure right from the off.
Diaries were hugely
popular as a fictional tool in the 19th and 20th Centuries
and had started to die off a little before Bridget Jones returned the genre to
mass appeal in the Nineties.
I think that another
reason why diaries are so popular is the Net and the way writers are
increasingly using the structure and language of blogs, texts and emails to
tell their stories.
Of course, one drawback
with diaries is you can only tell the story from one viewpoint so cannot switch
to other scenes, other people etc. But in the short story, the single viewpoint
approach can work brilliantly.
John Dean.
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